Modern Accordion Perspectives is an initiative promoted by an open expert panel of the most renowned accordionists, professors at Universities and Academies, composers, young progressive musicians and advanced students whose aim is to develop and spread the culture of the classical contemporary accordion through the publication of papers about relevant topics.
Since 2013, with the first publication, the italian accordionist Claudio Jacomucci has edited a series of articles and interviews on various issues about the current situation of the classical accordion, providing an overview of professional and artistic perspectives.
Modern Accordion Perspectives #4
“Expert Musicianship”
Edited by Claudio Jacomucci
ISBN: 978-88-27857-27-4
© 2018 Youcanprint
Wieslaw Ochwat (Poland), Cinzia Luisato (Italy), Fábio Palma (Portugal), Iwo Jedynecki (Poland), Rafał Łuc (Poland), Izidor Kokovnik (Slovenia), Mirko Jevtović (Serbia), Rik Cornelissen (The Netherlands), Wei Bijun (China)
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Modern Accordion Perspectives #3
“An International Overview of Accordion Pedagogy”
Edited by Claudio Jacomucci
ISBN: 978-88-92664-22-7
© 2017 Youcanprint
Sofia Ahjoniemi, Finland Iñaki Alberdi, Spain Claudia Buder, Germany Patrick Busseuil, France Paulo Jorge Ferreira, Portugal Anders Grøthe, Norway Guillaume Hodeau, France Claudio Jacomucci, Italy Marie-Andrée Joerger, France Luka Juhart, Slovenia Marko Kassl, Germany Helka Kymäläinen, Finland Friedrich Lips, Russia Mikko Luoma, Finland Joseph Macerollo, Canada Andreas Nebl, Germany Iosif Purits, Russia Matti Rantanen, Finland Elżbieta Rosińska, Poland Herbert Scheibenreif, Austria Georg Schulz, Austria Viatcheslav Semionov, Russia Sergej Tchirkov, Russia Raimo Vertainen, Finland
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Modern Accordion Perspectives #2
“Critical selection of accordion works composed between 1990 and 2010”
Edited by Claudio Jacomucci
Scientific committee: Iñaki Alberdi, Pascal Contet, Geir Draugsvoll, Claudio Jacomucci
ISBN: 978-88-87651-54-6
© 2014 Edizioni Tecnostampa, Loreto
Iñaki Alberdi, Spain Teodoro Anzellotti, Germany Klaudiusz Baran, Poland Vladimir Blagojevic, Serbia Theo Bodewits,The Netherlands Max Bonnay, France Andreas Borregaard, Denmark Philippe Bourlois, France Mélanie Brégant, France Gertie Bruin, The Netherlands Claudia Buder, Germany Angel Luis Castaño, Spain Pascal Contet, France Geir Draugsvoll, Norway/Denmark Øivind Farmen, Norway Pavel Feniuk, Ukraine Paulo Jorge Ferreira, Portugal Eddy Flecijn, Belgium Maciej Frąckiewicz, Poland Jürgen Ganzer, Germany Francesco Gesualdi, Italy Frode Haltli, Norway Gorka Hermosa, Spain Ladislav Horák, Czech Republic Stefan Hussong, Germany Claudio Jacomucci, Italy Marko Kassl, Austria/Germany Peter Katina, Slovakia Margit Kern, Germany Guy Klucevsek, USA Eneasz Kubit, Poland Veli Kujala, Finland Friedrich Lips, Russia Mikko Luoma, Finland Joseph Macerollo, Canada Jan Meisl, Czech Republic Bjarke Mogensen, Denmark Elsbeth Moser, Germany Motion Trio, Poland Owen Murray, UK Krzysztof Olczak, Poland Francesco Palazzo, Italy Antonio Peruch, Canada Joseph Petric, Canada Luca Piovesan, Italy Matti Rantanen, Finland An Raskin, The Netherlands Maria Reiter, Germany Corrado Rojac, Italy Elżbieta Rosińska, Poland Georg Schulz, Austria Germano Scurti, Italy Viatcheslav Semionov, Russia Yuri Shishkin, Russia Joan Sommers, USA Jostein Stalheim, Norway Raimondas Sviackevicius, Lithuania Sergej Tchirkov, Russia Marjut Tynkkynen, Finland Mika Väyrynen, Finland Stas Venglevski, USA Romano Viazzani, UK Ian Watson, UK Borut Zagoranski, Slovenia Eva Zöllner, Germany Vladimir Zubitsky, Ukraine
Hardcopy orders (7,50 euro + shipping) to accordionconference@gmail.com
Modern Accordion Perspectives #1
“Articles and interviews about classical accordion literature, pedagogy and its professional and artistic perspectives”
Edited by Claudio Jacomucci
ISBN: 978-88-95534-30-5
© 2013 Grafica Metelliana spa
Frode Haltli The accordionist in the 21st century / Vincente Lhermet European cooperation / Pascal Contet Choosing the accordion in 2013 / Veli Kujala Quarter tone accordion /Geir Draugsvoll Perspectives on accordion pedagogics on academic level / Milos Milivojevic Development of the classical accordion in United Kingdom / Claudio Jacomucci Developing awareness, improving the cultural condition / Sergej Tchirkov Discovering traditions: integrating the contemporary accordion education in the world of New Music / Klaudiusz Baran The position of the accordion in Polish musical culture “yesterday and today” / LUCA PIOVESAN One possible way for accordion / Xiaoquing Cao Classical Accordion in China / Paulo Ferreira Connection between accordion and the real music scene / Gorka Hermosa Rediscovering the 19th Century repertoire for free reeds keyboard instruments / Bjarke Mogensen-Rasmus Kjoller Mythos Accordion Duo / Maciej Frackiewicz New Polish literature for accordion and cello / Paolo Picchio My ideal competition: the accordion surrounded by arts / Massimiliano Pitocco Pedagogics, competitions and perspectives / Raimondas Sviackevicius Lithuanian Accordion Developments / Krassimir Sterev The instrument that does not age / Harald Oeler At Viera Janárceková’s / Marko Kassl Duo Mares / Inaki Alberdi Composing for accordion
Hardcopy orders (7,50 euro + shipping) to accordionconference@gmail.com
